Tag Archives: architecture

open house hobart 2023—some houses

2023 Open House Hobart posts

Some amazing homes

Featured buildings – Woolton Place, Alt-Na-Craig, The Barn, 540 Churchill Avenue.

Woolton Place

It’s mandatory on Open House weekend to visit at least one building desigined by Esmond Dorney. Don’t ask me why. It just is.

Lil Sis and I had been to the house at Fort Nelson commonly referred to as The Dorney House a couple of weeks earlier when we attended Paddy Dorney’s launch of his book about his father’s work. (You can read about it in the second part of this post.) We didn’t have time this weekend to fit it in, but we were very keen to see one of Esmond’s houses (which hadn’t been open before) in Woolton Place, Sandy Bay.

It was built in 1958 and has had some sympathetic changes to the kitchen and bathroom in 2014.

The stone open fireplace in Esmond Dorney’s Woolton Place house

It is, as you’d expect, beautiful, with so much natural light and beautiful curved features.

Exit to the deck

The owners said that they’d so far been unable to find plans for this house and they believed they might have been among the many papers that were lost when Esmond’s office was burned down. As a result, it isn’t in Paddy’s book and we don’t know much about it.

Windows for everyone!

The entire street is full of gems like this and I need to come back and be one of those people who walks around and photographs other people’s houses.

Wall and ceiling collide

Alt-Na-Craig

This is a tiny apartment in Lenah Valley, designed by Ray Heffernan in 1964.

Open House tells us the apartment is only 37 square metres. It’s north-facing and it “showcases the principles of good design that can improve human experience, including floor-to-ceiling glass windows that keep the apartment warm in winter and cool in summer”.

Al-Na-Craig is on Augusta Road.

Al-Na-Craig Apartments on August Road

That’s not 6 Alt-Na-Craig Avenue.

But it says Alt-Na-Craig on the side of it.

But it’s not 6 Alt-Na-Craig Avenue . . .

Ohhhh . . . we have to walk up this hill . . .

Indeed we do, and we get to a gorgeous block of units overlooking Lenah Valley. Here, we meet Helen, the owner of the tiny apartment.

The apartments we came to see

Really.

Tiny.

It has a tiny kitchen (imagine Mr Tall in there, says Lil Sis), and a slightly bigger bathroom, which begs the question why is the bathroom bigger than the kitchen?.

Helen has cleverly moved the hot water cylinder out of the bathroom into the kitchen so she can fit a washing machine in there. I meant to ask where the washing machine would have been in 1964. Maybe they went to the laundromat.

The cool brickwork on the side

The rest of the apartment is one room, with the bedroom section (with built-ins) separated from the living area with a floating glass screen wall, which allows enough blockage for the bedroom to be its own space but also lets light in and keeps the place light and airy, which you really need in such a tiny space. Helen says of all the apartments, hers is the only one to have retained this feature.

The living room side of the floating glass wall. Look at all that timber!

The living and bedroom area is slightly off-north facing and the windows are designed so that in winter, when the sun is lower, light (and warmth) comes a good distance into the space to keep it warmer; and in summer, it comes in just far enough for light but it doesn’t overheat. It’s very clever use of space.

Of course, I couldn’t live there because there are no book cases. I’d need to buy the apartment next door too, just to house my books.

I don’t think Helen’s selling though!

Stone Flower/The Barn

This renovated barn in West Hobart was our last stop on Saturday.

20 Forest Road and a car

The owners say the dilapidated old barn behind the main house was the main reason they decided to buy the property.

The Barn behind the house . . . and what is that giant pole for?

It took over seven years to create the project, from exploring the possibilities, to engaging an architect and working through council and heritage issues and finally construction.

They say they reused as much timber as possible in the design, with the table being built out of left over timbers. All of the original stone has been retained.

Retaining stone and timber

It’s a lovely space.

The wall hanging in the bedroom

540 Churchill Avenue

By the time we’d finished the modernism walking tour on Sunday afternoon, we were running our of time to get back to Sandy Bay to see the last house on our itinerary.

540 Churchill Avenue was designed in 1957 by Barry Fisher. It is a stunning home!

Stair detail, 540 Churchill Avenue

We pulled up outside at 3.49 pm, just as the volunteers were packing up the signs. Please can we have a look? we asked, and Helen (who we’d met at Al-Na-Craig on Saturday) said okay but we had to be quick. And quick we were!

We got a very fast but thorough tour of this gorgeous house, a couple of doors down from Esmond Dorney’s Butterfly House that we’d seen in 2021.

The living room . . . and the amazing light fitting in the background

This house was designed for Mr H H (Bert) Smart, Master Warden of the Marine Board from 1957 to 1983.

There is exquisite attention to detail everywhere, down to the horizontal banister on the entrance stairs. It’s another of those beautifully light homes that take in the views of timtumili minanya/River Derwent, with timber fittings throughout.

And this light fitting.

Amazing light fitting

The kitchen is gorgeous.

There have been some recent renovations and extensions, especially downstairs, which are sympathetic to the original design. It is an absolutely beautiful home and I’m so glad we were able to see it.

Timber, amazing windows and a stripy mat

And that was the end of our Open House Weekend. I still have one more post to slot in somewhere though!

open house hobart 2023— the new spirit of modernism (part 2)

2023 Open House Hobart posts

The New Spirit of Modernism (Part 2)

Featured buildings – Former M.L.C Building, Lands Building, and former AMP Building.

Former MLC Building

Leaving the State Library behind, our wonderful guide, Bronwen, led us down Murray Street past “Murray House”, to the corner of Liverpool Street, where we found the former MLC Building.

A ten-story class curtain wall building situated on a street corner
Former MLC Building 65 Murray Street

It was designed by Philp Lighton Floyd and Beattie for MLC. I had to google ‘MLC’ as I’m not sure what it stands for (other than knowing it’s easily confused with CLM, whose building on the corner of Macquarie and Elizabeth Street was where we saw a ghost sign on Saturday). I suspected the words “mutual” and “life” might make an appearance and, indeed, MLC was once known as Mutual Life & Citizens Assurance Company Limited.

The building was constructed in two stages, with the first five storeys built (according to my records) in 1958, which means it pre-dates the library. The remaining floors were added in about 1977.

A black and white image looking down on a stret
Looking down Murray Street, early 1970s (Tasmanian Archives PH30-1-9754)

I found the above photo in the library, which shows what the MLC building looked like before the top floors were added. (It looks like it might have been taken from the library.) There are a few other buildings in Hobart where this approach was taken. What is now Construction House in Bathurst Street and former 34 Davey Street are two that come to mind.

The top of a multi-story glass curtain wall building
Looking up

I was lucky to have had a tour of this building through Open House in 2018, which took in the view of the city from the roof.

A view of a street with a prominant dark concrete building int he foreground.
Looking back up Murray Street at the State Library and the Stack (November 2018)

The building also has this interesting extension on the first floor, which I think Bronwen said was part of the original design. And of course, the obligatory relief sculpture to show MLC’s care for their customers.

First floor of the MLC Building, currently home to the Bett Gallery

Jaffa House

Further along Murray Street is Jaffa House, which wasn’t on our official list of stops but we stopped there anyway.

It was designed by Jim Moon of Bush Parkes Shugg and Moon, and built in 1971-72. It was originally the Savings Bank of Tasmania headquarters, and is known as Jaffa because of its colour.

A reflection of an art deco style building in an orange glass curtain wall
Reflections of the T&G Building in the windows of Jaffa

AMP Building

Our next stop was AMP House on the corner of Collins and Elizabeth Street. It will always be AMP to me, never NAB, despite what the sign on the side says.

It was designed by Richard Crawford of Crawford Shurman Wegman Architects and competed in 1968.

A large tall brutalist tower building
AMP Building tower

This is a delightful building that can almost be seen in two parts: the tower and the podium on which it sits. I’ve often thought that the podium by itself would make a lovely small brutalist building.

You can see the relationships between the tower and the podium more clearly from higher up, like in this photo I made from the roof on the neighbouring CML Building during Open House 2018. (I did a lot of rooftops that year!)

A black and white photo of a large concrete building sitting on a podium, with the edge of another buildin gint he foreground
AMP Building from the top of the CML Building

AMP is the Australian Mutual Provident Society, and it had a small office building on this site prior to 1881, when its new building was constructed.

AMP’s 1881 Premises on the corner of Elizabeth and Collins Street (Tasmanian Archives)

This building was extended and had another floor added in 1913. Bronwen said that in the 1960s, AMP decided it wanted to own the tallest building in Hobart, so it had the 1881 building demolished and replaced with the current one. One of the archways from the old building is now located in the Botanical Gardens.

The facade features the Tom Bass relief sculpture “Amicus certus in re incerta – A sure friend in an uncertain event”, which is similar to the one on the side of Sydney’s AMP building. This one has a stylised map of Tasmania in the centre of arms encircling the Goddess of Plenty watching over the father, mother and child.

A concrete tower block atop a smaller podium
Looking up at the AMP Building

Reserve Bank

Just around the corner on Macquarie Street, is the Reserve Bank Building, which we learned about on a 2020 Open House walking tour.

The Reserve Bank Building, Macquarie Street

This building was completed in 1978, and Bronwen noted its recessed corners. (She loves recessed corners and pointed them out everywhere we went). What I remember about this building is that they wanted to keep it simple and inexpensive because money was tight at the time, and it wouldn’t have been a good look for the government to go splashing cash around for a fancy new bank building.

It was awarded the ‘Enduring Architecture Award’ at the 2012 Tasmanian Architecture Awards.

The void

Bronwen pointed out the recessed area to the left of the building that was kept aside for the public artwork, which in this case is Stephen Walker’s wonderful Antarctic Tableau.

A close up of a bronze sculpture of a bird's head
Antarctic Tableau (detail) by Stephen Walker

Lands Building

Our final stop was the fabulous Lands Building in the next block.

It’s a very neat symmetrical design with some kind of escape hatch on the second to top floor that no one has ever been able to explain. (Look closely!)

A concrete building facade with several rows of even windows
The Lands Building, Macquarie Street

Another example from the 1970s (1976, I believe), it is, like other brutalist structures, grounded and earthy, which, Bronwen observed, seems appropriate for something called the Lands Building.

I think it could be taller.

Two rows of four windows in a concrete building facade
The Lands Building, Macquarie Street

And that was the end of the tour.

It was great to meet someone who loves these buildings so much, and I agree with Bronwen that we need to find out more about them. I’m certainly enjoying uncovering their history from random places, but often all I can find is little snippets, as there isn’t a lot of readily available information about many of these buildings. It’s fun to search though! There are many rabbit holes . . .

Before we left, Bronwen asked if there was any interest in more tours of other modernist buildings and the answer was a very enthusiastic ‘yes’, so hopefully next year we’ll see her again.